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Author's Guide

Abstract—These instructions provide basic guidelines to help possible contributors prepare their final camera-ready papers for submission to the Advances in Electrical and Computer Engineering. The journal is published by the Academy of Technical Sciences of Romania and the "Stefan cel Mare" University of Suceava, Romania. Abstracts (maximum 200 words) should be self-explanatory and summarize the essential qualities of the papers.

 

I.INTRODUCTION

Prospective authors are invited to submit papers that fit within the scope of the journal. Papers should be written in English and submitted in final camera-ready form. For more details, please download our mail submision guide and template document.

II.PAPER AND TEXT FORMAT

Margins: top 1.78 cm, bottom 1.78 cm, left and right 1.65 cm, gutter 0 cm. Orientation: portrait. Paper size: A4.

Line spacing: single. Text organization: two columns. Column width: 8.6 cm. Space between columns: 0.5 cm. Last page columns must be equal in length. Header and footer:  different for odd and even pages.

Author name, affiliation and complete address are to be placed underneath the title. In case of multiple authorship of a submitted paper, the affiliation and complete address of each author must be specified.

III.TABLES, FIGURES, EQUATIONS

Illustrations and tables should be progressively numbered, following the order cited in the text; they may be organized in one or two columns. Tables must be accompanied by a caption placed at the top. Figures (abbreviated Fig.) must be accompanied by a caption placed underneath. References made to tables in text will not be abbreviated e.g. "in Table I, TN Roman means Times New Roman".

Each formula should occupy one line. Consecutive numbers should be marked in brackets.

 

TABLE I. THE RECOMMENDED FONTS

 

Item

Font

Size

Style

Title of paper

TNRoman

24

Norm

Authors ‘ names

TNRoman

11

Norm

Authors ‘ address

TNRoman

11

Italic

Abstract

TNRoman

9

Bold

Title of sections

TNRoman

10

Norm

Text, Formulae

TNRoman

10

Norm

Algorithms

Courier New

10

Norm

References

TNRoman

8

Norm

 

 

References to cited sources should be incorporated within the text (e.g. [2]). Bibliographical references must be placed at the end of the paper and comply with the model below.

IV.CONCLUSION

A conclusion section is not compulsory. Make sure that the whole text of your paper observes the textual arrangement on this page.

APPENDIX A

Appendices, if present, must be marked A, B, C, and placed before Acknowledgment.

ACKNOWLEDGMENT

Place your acknowledgments before References. Do not mention the sponsors and/or financial support obtained in this section. These specifications are to be included in an unnumbered footnote on the first page of the paper.

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CUPRINS / TABLE OF CONTENTS

 

                    2019  ALLRO volume 26

   

  MIRRORS AND HISTORIES

OPENINGS /9

 

IOANA CISTELECAN-9/11. FACT, CONCEPT & FICTION/ 11

 

 

 

MIRRORS AND HISTORIES/25

 

  

MATTEO TAUFER- IPOTESI TEMERARIE SU BUREBISTA: ‘VIA SECCA' O ‘VIA UMIDA'? /THE ALCHEMY OF THE PATHS TO/AGAINST WINE IN BUREBISTA'S TIME / 27

 

MAGDALENA INDRIEȘ- L'AUTORÉFLEXIVITÉDANS LE THÉÂTRE D'EUGÈNEIONESCO/ SELF-REFLEXIVITY IN THE THEATRE OF EUGÈNE  IONESCO/32

MARIUS MIHEŢ - THE MIRRORS OF COMMUNISM IN THE EYES OF A WOMAN/ 44

DANA SALA- BEAUTY AS A PORTAL TO HISTORY IN THE NOVELS OF CĂTĂLIN PAVEL / 53

ANEMONA ALB - REFLECTION IS HAVING A BLAST: THE PARAMETERS  OF REPRESENTATION IN ANGELA CARTER'S LOVE /84

CRENGUŢA GÂNSCĂ -ROMANIAN INTERWAR THEATRE IN THE MIRROR OF ITS PLAYWRIGHTS/ 89

IOANA BETEG - CONSUMERISM – A (POST)MODERN ILLUSION/ 99

FLORIN CIOBAN -CARMEN SYLVA AND VASILE ALECSANDRI – REFLECTIONS IN CORRESPONDENCE / 111

MARIANA LAZĂR DVORZSIK -THE REFLECTION OF MOSES IN THE MIRROR OF A POEM BY ALFRED DE VIGNY / 121

CARMEN BODIU -LUCIAN DRIMBA, ABOUT IOSIF VULCAN'S TRAVEL NOTES / 128

MARIA-LAURA MILIAN (DULUȘ) -THE REFLEXION OF ENCYCLOPEDIC ESPRIT IN OVIDIU DRIMBA'S WRITINGS / 142

ANCA TOMOIOAGĂ- SOCIAL MEDIA MIRRORS. THE INFLUENCE OF EMOTICONS AND EMOJIS ON ONLINE COMMUNICATION IN SCHOOL ENVIRONMENT / 152

GABRIELA MIRON -AVATARS DE LA DUALITÉ DANS LA NOUVELLE « UN AMOUR À L'ÉLYSÉE » D'ERIC-EMMANUEL SCHMITT / AVATARS OF DUALITY IN « UN AMOUR À L'ÉLYSÉE » BY ERIC-EMMANUEL SCHMITT / 167

ALIN ȘTEFĂNUȚ-FORMS OF INTERTEXTUALITY IN THE DRAMA OF HORIA LOVINESCU / 176

BEATRICE SZILAGYI (LUCACIU) -CREATIVE ANTITHESES IN GABRIELA MELINESCU'S PROSE / 184

RUXANDRA GAVRA -EIKONS OF ALEXANDRU ANDRIȚOIU'S OEUVRE / 190

DAN HORAŢIU POPESCU-FOR A HISTORY OF THE ROMANIAN P.E.N. CLUB /203

DANA SALA -SHADOWS AND BROKEN MIRRORS IN "THE PRUSSIAN OFFICER" BY  D. H.   LAWRENCE / 216

 

BOOK REVIEWS / 237

 

MAGDALENA INDRIEȘ-A SPEECH FOR DEFENCE OF THE CLASSICAL CULTURE / 239

MARIUS MIHEȚ- THE HISTORY OF ROMANIAN LITERATURE AS WRITTEN BY FOREIGN RESEARCHERS/ 242

DANA SALA - HONESTY VS METACRITICISM / 246

MARIUS MIHEŢ - THE HISTORY OF LITERATURE THROUGH LITERARY REVIEWS / 250

IULIA NEDEA - A RENOWNED ACADEMIC JOURNAL / 254

DANA SALA - THE PATH FROM TEXT TO IMAGE ON DANTE'S TRACES /257

MARIUS MIHEȚ-A SCIENTIFIC JOURNAL DEDICATED TO ROMANCE LANGUAGES/ 262

 

 

 

 

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