THE ART OF ENGRAVING IN MEDIEVAL MOLDAVIA AND ARTISTIC EDUCATION The moldavian engraving art had a special influence over the developing of printing and other domains of plastique arts. Known through the illustrations at Varlaam's "Cazania" (1643), the wood engraving gets new dimentions in creation of M Strilbitchi (sec.XVIII) and reaches the acme of its development in the XIX century due to the masters from Neamt Monastery- Simion, Ghervasie, Teodosie, Iosif and Damian. Their illustrations made in xylographie (woodcut technique) influenced printing area and stimulated the occurrence of a new domain in medieval arts like icon- engraving, which influenced the style and decoration of painted icons.
THE ART OF ENGRAVING IN MEDIEVAL MOLDAVIA AND ARTISTIC EDUCATION.

Review of Artistic Education

ISSN  2069-7554 | eISSN  L 2069-7554

Autori:
Iarîna Saviţkaia [1]
[1] The Academy of Music, Theatre and Fine Arts, Chişinău, Republic of Moldavia
Rezumat
The moldavian engraving art had a special influence over the developing of printing and other domains of plastique arts. Known through the illustrations at Varlaam's "Cazania" (1643), the wood engraving gets new dimentions in creation of M Strilbitchi (sec.XVIII) and reaches the acme of its development in the XIX century due to the masters from Neamt Monastery- Simion, Ghervasie, Teodosie, Iosif and Damian. Their illustrations made in xylographie (woodcut technique) influenced printing area and stimulated the occurrence of a new domain in medieval arts like icon- engraving, which influenced the style and decoration of painted icons.
Cuvinte cheie:
art of engraving, medieval art, artistic education



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