The device, the self and the other: A review of the self-tracking culture
This paper takes self-tracking culture as the subject matter and
provides an example of systematic academic literature review that
explores the relationship between culture and nature. It illustrates how
the embedding trajectory of a technological artefact in the social
sphere can be revealed by a categorization process that uses concepts
from different knowledge fields (anthropology, psychology, system
studies etc.). Moreover, it shows how the interactions between core
values of late modernity and core values of modernity and pre-modernity
allow the emergence of a conflicting social mechanism of the
self-tracking culture. From object to practices, the cultural embedding
process of self-tracking devices is described as a function of their
hardware or software nature, their self or body focus, their private or
collective degree of exposure and their pushed or imposed degree of
autonomy. The underling cultural mechanism of the self-tracking culture
is portrayed in terms of a balancing loop between the purchasing
behaviour motivated by late modernity values, practices created around
the device, subjectivity/objectivity values-conflict and agency/trust
beliefs variations.
The device, the self and the other: A review of the self-tracking culture.
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The device, the self and the other: A review of the self-tracking culture.
Autori:
Denis
Iorga
[1]
[1]
Faculty of Sociology and Social Work, University of Bucharest
Rezumat
This paper takes self-tracking culture as the subject matter and
provides an example of systematic academic literature review that
explores the relationship between culture and nature. It illustrates how
the embedding trajectory of a technological artefact in the social
sphere can be revealed by a categorization process that uses concepts
from different knowledge fields (anthropology, psychology, system
studies etc.). Moreover, it shows how the interactions between core
values of late modernity and core values of modernity and pre-modernity
allow the emergence of a conflicting social mechanism of the
self-tracking culture. From object to practices, the cultural embedding
process of self-tracking devices is described as a function of their
hardware or software nature, their self or body focus, their private or
collective degree of exposure and their pushed or imposed degree of
autonomy. The underling cultural mechanism of the self-tracking culture
is portrayed in terms of a balancing loop between the purchasing
behaviour motivated by late modernity values, practices created around
the device, subjectivity/objectivity values-conflict and agency/trust
beliefs variations.
Cuvinte cheie:
Self-tracking culture, self-tracking movement, dominant culture, culture, the self
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